top of page
  • Black Facebook Icon
  • Black Instagram Icon
  • Black Twitter Icon
  • Black Pinterest Icon

MY STORIES

I love sharing the stories behind my handcrafted wood pieces, especially these two—a maple burl bowl and a bowl turned from a tabletop.  They represent creativity in wood, functional art.

​

This bowl began as a 20-pound hunk of maple burl, sourced from a large leaf maple tree native to the Pacific Northwest.  The entire tree is literally covered with lumps of burl, caused by irregular growth due to “stress” yielding highly figured grain.  I purchased the wood from Hearne Hardwoods in Oxford Pennsylvania for $5/pound. Over several weeks, I examined it from every angle to determine how best to bring out the natural beauty of the wood and to include as many of its unusual features as possible.  The initial turning was an exercise in “Shake, Rattle and Roll” (apologies to Bill Haley and the Comets). The piece started out unbalanced—typical of dense burl wood—but gradually stabilized as it took shape.  The final piece is a bowl with beautiful grain, great color, clefts, bark inclusions and spikes—a true wood sculpture.   Among the over 200 pieces I have turned, this is one of my favorites.

 

I displayed this maple burl bowl at the Fall Daylesford Abby Art & Craft show in Paoli Pennsylvania, where it drew a lot of attention.  One couple with two preadolescent children were particularly attracted to it, walked away, came back and said that they needed to look at the rest of the show before making a decision.  Normally, this is the kiss of death as “be backs” rarely return, literally “The Man who Never Returns” (apologies to the Kingston Trio).  In this case, it was not so, as they shortly returned and purchased it saying they knew exactly where it would go in their home. The following year, the husband returned alone and purchased a second burl bowl, a great affirmation of my work

Bowl Handcrafted from Large Leaf Maple Burl

The second bowl started its life as an ameboid shaped tabletop which I purchased at Briggs Auction in Garnet Valley, Pennsylvania.  The top had great color and was sitting on metal legs fitted into bottom slots.  Because of its grossly irregular shape, the trick was to lay out as many pieces of different sizes as possible, while preserving the live edge and avoiding the old screw holes and metal slots.  For this piece I wanted to turn a large 4-inch-thick bowl, utilizing 2 blanks glued together.  To my initial dismay but subsequent delight, I managed to include partial screw holes and leg slots on its edge.  While I could have removed them by turning the bowl smaller, including them in the final piece, added to its individuality and character. These manmade “defects” became talking points, adding to the bowl’s individuality and story.

 Root Burl Bowl – Natural Cracks, Knots & Bowtie Inlay
bottom of page